Technology
Inaugural ‘Design Next’ exhibition kicks off tomorrow in d3
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2 years agoon
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Curated by Dubai Design District (d3) and the prestigious Isola Design Group, the world’s first digital and physical design community platform committed to sustainable designMore than 40 designers and studios from 18 countries to highlight design’s crucial role in the circular economy, including the UAE’s Colab and Sulmi and leading international names such as Arper, ecoLogicStudio, Rombolà and Andreu WorldInnovative sustainable design concepts and products to be showcased across furniture, lighting, vases, rugs, tumblers, bowls and ceramicsIndustry thought leaders in the field of sustainable design will dive into insightful conversations and panel discussions on shaping the sustainable future of the industry (schedule detailed below)
DUBAI, UAE, Nov. 4, 2024 /PRNewswire/ — Design Next, a first-of-its-kind exhibition in the UAE promoting the circular economy, is bringing an inspiring showcase of sustainable design and insight from around the world to the 10th-anniversary edition of Dubai Design Week.
The exhibition, launched by Dubai Design District (d3), a member of TECOM Group PJSC, and the prestigious Isola Design Group, kicks off tomorrow, showcasing ideas and solutions to empower the circular economy and inspire visitors to play a greater part in shaping a sustainable world. The exhibition will run in Building 6 at d3 from 5-10 November 2024.
“Consumers want to see bold statements around sustainability transform into tangible, accessible reality. Design Next offers businesses, creatives and the public a glimpse of how local, regional and global brands are leveraging circular design to deliver attractive and functional products for personal and commercial use,” said Khadija Al Bastaki, Senior Vice President of Dubai Design District (d3) – part of TECOM Group PJSC. “We are delighted to work with such a prestigious brand in the global design space to create this programme that emphasises the breadth and depth of creativity shaping a sustainable future through displays and insightful conversations by brilliant minds. We hope Design Next will catalyse a greater movement towards a circular economy while powering growth in Dubai‘s creative industries, in line with the Dubai Economic Agenda ‘D33’ ambitions.”
The inaugural line-up for Design Next comprises the creativity and innovations of more than 40 local, regional and international independent designers and studios, sustainable brands, and design tech start-ups presenting innovative, eco-conscious products to circular construction materials. From compostable smartphone cases to plant-derived furniture, interior materials, and homewares, the exhibition will illustrate contemporary applications of design created from innovative technology and alternative materials. Among the talents presenting are Aga Blonska, Chinara Darwish, Eleonora Rombolà, Grob Design and IOUS Studio, amongst many more.
Design Next will also include a dynamic and engaging platform of panel discussions hosted by industry thought leaders and live performances that bring the values of sustainable design thinking to life. These discussions start on 6 November, with Fahad Ahmed Al Obaidly, Acting Director of Doha Biennale, Samer Yamani, Founder and Director of design consultancy Creative Dialogue, and Wael Al Awar, architect and founding partner waiwai design studio among the line-up of panellists.
“We are pleased to bring our international design community and years of dedicated research in circular design, innovative materials, and cutting-edge design tech solutions to Dubai. We are confident that our partnership with d3 and Design Next will contribute meaningfully to advancing the regional design dialogue, setting new standards in environment-conscious practices and industry collaboration. Through this initiative, we aim to inspire the design sector in the region and to share the tools needed to shape a more resilient and forward-thinking future,” said Gabriele Cavallaro, CEO and co-founder of Isola Design Group.
Announced in October 2024, Design Next marks the first joint initiative between d3 and the innovative Isola Design Group. The Milan-based design company, renowned for providing visibility and opportunities to independent designers, design studios, and brands worldwide, recently expanded to the Middle East with a new regional headquarters at d3’s global creative ecosystem.
Promoting homegrown and regional talents
Among the homegrown UAE-based talents on show will be Generation 3D, Desert Board, Sulmi, NYXO and the region’s first purpose-built digital material library, Colab. Sulmi designs scalable and sustainable systems, combining energy generation and storage with their electric motorcycles for maximum environmental impact, which will be available for viewing. Colab joins to showcase its online database of materials that enables design professionals and businesses to discover innovative, commercially available materials and directly engage suppliers. Alongside Colab, d3’s own community will be represented by Andreu World, the global sustainability-focused furniture design brand from Spain, which opens its first UAE-based showroom in d3 on the first day of Dubai Design Week.
Representing regional talent are Egyptian furniture designers Aya Moug and Shell Homage. Moug masterminded Byblos, an innovative plant-based material that transforms papyrus plants from along the Nile’s shore into versatile biomaterials. The plant is an eco-friendly alternative to wood, stone, and marble to create attractive furniture products that combine Egyptian heritage with modern applications.
Additional MENA-based brands include: Chinara Darwish (UAE), CIFRA (UAE), Cinar Fine Rugs (UAE), Colab (UAE), DesertBoard (UAE), Faheem Khan (Qatar), Generation 3D (UAE), High Sense (UAE), NYXO (UAE), PlyPalm (UAE), Sulmi (UAE), and YAKIN (Lebanon).
Outstanding international design representation
The exhibition will see 18 countries represented. Joining Design Next from further afield are:
iGreen (Italy): Fully compostable smartphone covers comprising seeds which can be planted after use to grow basil, forget-me-nots and daisies, reducing plastic waste in landfills and encouraging sustainable practices.CoWave by Aga Blonska (Netherlands): An innovative design method to create the world’s first acoustic panel based on emotional reactions. Brain scans recording electrical activity are translated into AI-legible data that design and produce 3D-printed objects using recycled plastic. NOWO Lamp Project by Oliwia Ledzinska (Poland): Blending digital craftsmanship with traditional techniques, the NOWO lamp uses proprietary biomaterial made from a combination of protein and mixed paper, wood and textile waste. The 3D-printed lampshades are made from corn-derived bioplastic, making the product’s exteriors biodegradable and compostable and its interior electronic components reusable.
International participants include: Andreau World (Spain), Anett Papp (Hungary), Armourcoat (UK), Arper (Italy), Chryssa Kotoula (Greece), Ek Kalakaar (India), ecoLogicStudio (UK/Italy), Eleonora Rombolà (Italy), Floris Mejer (Netherlands), Grob Design (Turkey), Halle Design (Netherlands), Harshita Jhamtani (India), House of Piranesi (India), iGuzzini (Italy), IOUS Studio (Netherlands), KeepLife (Italy), Maki Izawa (Japan), Martin Oberhauser (Italy), Masquespacio (Spain), Mattice Boets (Belgium), MODedition (Turkey), Myceen (Estonia), Oorjaa (India), Shape & Shade (Kosovo), Tectona Grandis Furniture (Turkey), VANK (Poland), and WKND Lab (South Korea).
The exhibition will feature live performances by Masquespacio (Spain) and MODedition (Turkey). Meanwhile, Fromm, a luxury contemporary furniture and accessories brand founded in Italy and Qatar, will host an immersive masterclass providing designers with valuable strategies, insights and tools to create circular products.
Insightful panel discussions by industry leaders
Alongside the exhibition, Design Next includes a packed schedule of insightful industry talks and discussions exploring a range of subjects. From sustainable design champions addressing the power of design in shaping the future to emerging materials enabling circular sustainable interior and architecture design, talks on new-age Arab design and Dubai‘s cementing status as a global creative business hub.
The complete panel schedule for 6 to 9 November is available below.
Design Next will be the first of many initiatives launched between d3 and Isola Design Group, who will continue collaborating on an array of events and services to further cement the region’s flourishing design scene and support exciting local and regional design talent. Design Next will be a biennial event, and the d3 Architecture Exhibition will be held in the intervening years.
PANEL DISCUSSIONS (6 – 9 NOVEMBER)
Time
Wed,
6 November
Content vs. Form: Intersections of Design, Art and Technology:
As the lines between design, art, and technology blur, the debate over content versus form takes
centre stage. Speakers will discuss how these fields intersect to create meaningful experiences,
challenging traditional boundaries and redefining aesthetics. The focus will be on how blending
content and form can spark innovation and inspire new thinking methods in today’s creative
world.
2 – 2:45 PM
The Role of Design Brands in Driving the Industry Towards a Better Future
Dive into how design brands play a key role in creating a more conscious future for the industry.
Design thinkers from leading brands will examine how they influence consumer behaviour,
promote ethical practices, and lead the integration of circular materials and innovative processes.
3 – 3:45 PM
Behind the project: The Award-winning UAE National Pavilion at La Biennale di Venezia
This engaging panel discussion will include prominent figures in the region’s architectural and
design landscape. Wael Al Awar (National Pavilion UAE Curator of Wetland at La Biennale
Architettura 2021), Nada Taryam (Chief Real Estate Officer at Bee’ah), and Azza Aboualam
(National Pavilion UAE Curator at La Biennale Architettura 2025) as moderator will examine
how local knowledge, innovative materials, and environmental conditions are influencing the
future of sustainable architecture in the UAE.
4 – 4:45 PM
The Future of Sustainable Design: From Material Innovation to Circular Systems
Beyond the traditional focus on eco-friendly materials, interior and architectural designers are
now embracing fully circular systems and regenerative design to extend the lifecycle of spaces
and structures. This panel explores forward-thinking concepts such as bio-inspired materials
that mimic nature’s resilience, like self-repairing surfaces and regenerative facades, and adaptive
structures that respond to environmental changes, allowing interiors to evolve with minimal waste.
5 – 5:45 PM
Thursday,
7 November
Waste to Worth: Circular Design in Practice
The masterclass emphasises the critical role of sustainability in design within the
context of the circular economy, exploring innovative strategies that allow designers to reimagine materials and
concepts. This session will provide designers with valuable insights and practical tools to create
sustainable products that cater to the future of the industry.
10:30 AM –
1 PM
High-Performance Interiors: Integrating User Experience and Artificial Intelligence (AI)
The future of interiors lies in intelligent environments that harness the power of AI to create
spaces responsive to every user’s needs and preferences. This panel dives into how
groundbreaking advancements in AI-driven personalisation allow spaces to adapt to user needs,
habits, and emotions in real time. Discussions will cover predictive ambience control, adaptive
spatial zoning (where layouts morph to accommodate fluctuating occupancy and activity levels),
and smart materials.
2 – 2:45 PM
Designing for the Future: How the Circular Economy is Impacting the Industry
As the world shifts towards sustainability, the circular economy is redefining design practices
across various industries. This panel will explore how integrating circular principles shapes
innovative design solutions, highlighting its potential to drive economic resilience, foster
creativity, and create a more sustainable future for all.
3 – 3:45 PM
From the Past to the Future: A New Perspective on Arab Design
The panel will explore the evolution of Arab design in recent years, highlighting its deep roots in
traditional craftsmanship while envisioning its role in shaping future creative landscapes.
Speakers will discuss how Arab design is influenced by past aesthetics and current social and
environmental needs while embracing forward-thinking approaches through modern practices
and independent design studios.
4 – 4:45 PM
Future Cities: Micro-Architecture and Design
The need for adaptable, space-efficient interiors has never been greater in dense urban settings.
This panel explores cutting-edge modular and multi-flexible design concepts that optimise urban
spaces with innovative, customisable solutions. Key themes include sustainable micro-living
designs that balance comfort and utility in small spaces, rapidly deployable furniture and fittings
that adapt to various configurations, and how Building Information Modelling (BIM) and
interoperable systems streamline planning, allowing seamless integration of modular elements.
5 – 5:45 PM
Friday,
8 November
Public Art in Dubai: A Conversation
This conversation, moderated by architect Abdalla Almulla and artist Areen Hassan, will explore
public art in Dubai and introduce the new edition of the public art education programme. The
practitioners will provide valuable insights into the creative process, challenges faced, and the
rewards of working on public art projects, while examining the opportunities that lie ahead.
3:30 – 4:15 PM
Crafting Tomorrow: The Intersection of AI and Human Creativity
This talk explores the evolving landscape where AI and human creativity intersect, with insights
into how AI advancements are reshaping design and creative industries. The panel will
investigate opportunities and challenges while highlighting how AI complements and enhances
human imagination and traditional practices.
4:30 – 5:15 PM
Saturday,
9 November
How Innovative Materials are Shaping the Design and Architecture Industry
As the design and architecture industry evolves, new materials play a key role in shaping this
transformation and design practices.
2 – 2:45 PM
Transforming Cities Through New Spaces for Creative Communities
In a rapidly evolving urban landscape, creating innovative spaces for creative communities is
essential for fostering collaboration and cultural exchange. This panel will explore how
thoughtfully designed environments can revitalise cities, supporting creators and entrepreneurs,
by covering concepts and case studies that illustrate the transformative power of creative spaces
in enhancing social cohesion and driving economic growth.
3 – 3:45 PM
Dubai Design District (d3), part of TECOM Group PJSC, is a global creative ecosystem that fosters local creative economy growth. It represents a dynamic design community of more than 1,000 businesses, ranging from multinationals to start-ups, and is a strategic partner of Dubai Design Week.
NOTES TO THE EDITORS
About Isola Design Group
Isola Design Group provides visibility and opportunities to independent designers, design studios, and brands worldwide. The venture runs both Isola Design, the community platform featuring profiles, project portfolios, and direct messaging for the exchange of ideas, and the recently launched Isola Studio, a consultancy studio for future-thinking design brands and organisations.
Isola Design (www.isola.design) is the world’s first digital and physical platform bringing visibility to independent designers and design studios, by connecting them to design professionals, companies, curators, journalists, and potential clients. Its dedicated curatorial team selects projects with a focus on sustainability, innovation, and handcraft.
Founded in 2017 in Milan, Isola Design District immediately became one of the main official areas of the Milan Design Week, with special attention to international and emerging designers. Isola Design also organizes various in-person events under the umbrella of Isola Design Festival, which takes place throughout the year, hosting dozens of exhibitions, hundreds of exhibitors, and thousands of visitors.
Since 2019, Isola Design has participated in the Dutch Design Week in Eindhoven, becoming the first Italian design district to participate in a foreign event. Isola Design expanded its borders even further in 2022, when for the first time it led a curated group of designers to the United Arab Emirates for Downtown Design during Dubai Design Week, and in 2023 by taking part in Material Matters at the London Design Festival and Tanween, Ithra’s Conference of Creativity, the largest creativity platform in the Kingdom of Saudi Arabia.
Launched in 2021 with more than 1.500 designers from 65+ countries and 2,450+ projects published, Isola Design offers a community for creative people around the globe through its digital platform, with dedicated profiles and portfolio pages. The digital platform aims to spark direct community interactions, discussions, and the sharing of expertise.
In 2024, Isola Design Group founded Isola Studio (www.isola.design/studio), the new consultancy lab for design brands, organizations, and institutions. Dedicated to creating innovative solutions, Isola Studio shares its multifocal vision with design professionals, startups, companies, and event organizers. Already active in a hybrid form across many countries that are part of the global Isola Design community, Isola Studio has initiated international calls to connect design brands, from lighting to product design, with emerging talents. It has also crafted special setups for Italian companies with branches in Europe and the Middle East, as well as international organizations such as B&T (Turkey), iGuzzini (UAE), Ithra (Saudi Arabia), Masquespacio (Spain), Monkey47 (Germany), Re-Mat (Italy) e The Good Plastic Company (Netherlands), to name a few.
Moreover, via the upcoming Marketplace by Isola, each verified designer and creative studio will get the chance to sell their physical products, digital assets, and NFTs.
About Dubai Design District (d3)
Dubai Design District (d3), a member of TECOM Group PJSC, is a global creative ecosystem dedicated to design, fashion, architecture and art. In line with Dubai‘s position as the leading business destination for the region and beyond, d3 is an industry-pioneering concept that enables people and businesses to grow and co-create whilst simultaneously providing a solid platform for creativity. Strategically located in the heart of Dubai, d3 is one of the city’s lifestyle and business districts that challenges thousands of people to rethink the regular.
With state-of-the-art infrastructure designed to meet the needs of the industry and a business-friendly framework, the community offers creative talent the tools for collaboration and growth, further reinforcing Dubai‘s status as a UNESCO Creative City of Design. d3 is a cutting-edge retail district offering a variety of multi-brand boutiques, fashion brands, and art and design studios. The world’s leading luxury brands, design companies and creatives, including architects, interior designers, photography studios, product and fashion designers, call d3 home. Some of the region’s most popular events take place in d3 and attract international artists and audiences to cultural and fashion exhibitions and gatherings including Dubai Fashion Week (DFW), Dubai‘s official fashion week co-founded by Dubai Design District (d3) and Arab Fashion Council, as well as Dubai Design Week and Sole DXB. The district also regularly hosts a roster of industry talks, workshops and educational programming, accessible to people of all ages.
d3 is home to TECOM Group PJSC’s business incubator – in5 Design – that aims to support the fashion and design industries by offering students and entrepreneurs the opportunity to transform their ideas into successful commercial ventures. This ecosystem is further supported by the Dubai Institute of Design and Innovation (DIDI), the region’s only university exclusively dedicated to design and innovation, which offers a curriculum crafted with the prestigious Massachusetts Institute of Technology (MIT) and The New School’s Parsons School of Design. The district also features the city’s first canal side recreational development, The Block. The open-air destination offers a range of different outdoor and leisure areas including a basketball and volleyball court, a skate park, outdoor gym and climbing wall.
For more information, please visit: www.dubaidesigndistrict.com
Photo: https://mma.prnewswire.com/media/2548048/Dubai_Design_District_d3.jpg
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SOURCE Dubai Design District (d3)
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Unity: The Convergence of the Three Main Red Army Forces
Published
46 minutes agoon
October 21, 2026By
BEIJING, Oct. 21, 2026 /PRNewswire/ — An interview from China.org.cn with Wang Xiaohui and David Ferguson on the Long March:
Wang Xiaohui:
We have all been through something similar — a group of people disagreeing with one another, with each side holding sound reasons to believe their own judgment is correct.
In such moments, should they part ways, or find another path forward together?
David Ferguson:
The word “unity” is often understood as a strategy. People unite when they face a common enemy, and when that enemy disappears, the cooperation ends with it. But I’ve always wondered if there is a different kind of unity — one not forged by a common enemy, but by a common destination. A unity that isn’t temporary, that doesn’t fall apart the moment circumstances change. I wanted to find out.
Wang Xiaohui:
An arduous expedition like the Long March posed unparalleled trials for any military unit.
Bitter cold on snow-capped mountains, hidden mire across marshlands, and dangers lurking every step of the way; food and warm clothes were constantly scarce, while enemies and artillery fire were relentless. Even so, through the Long March, these poorly equipped and raggedly dressed Red Army troops remained tightly bonded as one.
This bond was not coerced by harsh military discipline, but arose spontaneously from every soldier’s heart. Before they even set off, shared ideals and conviction had already taken deep root within every soldier, steeling their resolve to follow the Communist Party of China without hesitation. Along the trail, officers and soldiers of the Red Army ate from the same pots and wore uniforms made from the same coarse cloth. High-ranking commanders like Zhu De and Peng Dehuai covered most of the journey on foot alongside their troops, leaving their horses to the ill and wounded, while splitting their last rations with soldiers. Amid food shortages, even when columns in the front discovered edible greens, they would never dig them all up; instead, they sent words to rear units so that all troops could share.
The Red Army’s unity took root in shared ideals, flourished under equal treatment for all, and was forged through countless moments of entrusting each other with their lives. It also became the unshakable foundation that carried them through every ordeal.
In the late autumn of 1936, the Loess Plateau in northwestern China witnessed two hopeful rendezvous, marking the Long March’s triumphant close. First in Huining, soldiers of the First and Fourth Front Armies embraced in a long-awaited reunion. Just over 10 days later, at Jiangtaibu, the waiting First Front Army finally greeted the travel-worn soldiers of the Second Front Army.
Many of these soldiers had never met before, yet they greeted one another like long-lost brothers, eyes brimming with tears as they clasped hands. Officers and soldiers of the First Front Army sent whatever supplies they had saved up to their brother troops. Three battle-hardened columns merged into a mighty iron stream across the plateau. Just one month later, they fought in coordinated formation to secure triumph in the battle of Shanchengbao, putting a glorious full stop to the Long March.
When scattered sparks merge, inherent unity surges into a mighty force, powerful enough to rewrite an army’s fate and shift the course of a nation’s history.
At the time, Japanese invaders advanced deeper into China, occupying more and more territory, yet the civil war persisted. The CPC clearly understood that brutal conflict among the Chinese would only play to the invaders’ hands, and only national unity could safeguard the motherland. The CPC publicly called for an end to the civil war and joint resistance against Japanese invaders, officially proposed to build the national united front against Japanese aggression, and even took the initiative to halt military operations and withdraw troops as a gesture of goodwill — when the survival of a nation hung by a thread, they chose to unite all Chinese people.
The two KMT officers, Zhang Xueliang and Yang Hucheng, who were stationed in the northwest, witnessed the nation’s peril and were touched by the CPC’s advocacy of a united resistance. Resolved to collaborate with the CPC to fend off Japanese aggression, Zhang and Yang repeatedly pleaded with Chiang Kai-shek to shift focus to national defense, but to no avail. Ultimately, they detained Chiang by force, which later became known as the Xi’an Incident.
When word spread of Chiang’s detention, many assumed the CPC would demand a public trial, given years of bitter partisan strife. Instead, Zhou Enlai personally traveled to Xi’an with the CPC delegation to mediate, laying out the stakes for all parties concerned: executing Chiang would only result in a much larger-scale civil war, handing the Japanese aggressors golden opportunities to advance further into China. The only path to a promising future for the Chinese nation lay in a peaceful settlement that would compel Chiang to join the resistance against Japanese aggression.
Setting aside partisan divisions and prioritizing the supreme interests of the nation — this was the answer delivered by the CPC. At last, the Xi’an Incident was settled in peace, bringing an end to a decade of war. Since then, the Chinese nation finally stood united in fighting back against foreign invasion.
Nearly a century has passed, yet the spirit of unity forged on the Long March has never faded.
In September 1949, the First Plenary Session of the Chinese People’s Political Consultative Conference (CPPCC) was convened, officially instituting the system of multiparty cooperation and political consultation under the leadership of the Communist Party of China. The spirit of solidarity tempered amid the Long March was thereafter embedded in the very fabric of China’s governance system, with unity becoming one of its enduring tenets.
From the early reconstruction years since the founding of the People’s Republic of China in 1949, through the era of reform and opening up since 1978, to today’s march toward China’s modernization, each successive trial has burnished this core spirit of unity. In the fight against absolute poverty, the whole nation pulled together as a single force: the more developed eastern regions lent robust support to underdeveloped western regions, officials devoted themselves to working at grassroots communities, and local residents worked hard and strove for self-improvement. Together, hundreds of millions of Chinese worked to eradicate absolute poverty nationwide. When earthquakes and floods struck, rescue teams rushed to disaster zones from every corner of the country, while relief supplies and charitable donations poured in ceaselessly.
From the helping hands extended between soldiers along the Long March to the nationwide solidarity repeatedly demonstrated today, the essence of unity has never changed. It was the key that carried the Red Army through seemingly impossible odds, and it endures as China’s bedrock strength that propels China forward to this day.
David Ferguson:
After hearing the stories of the reunion of the three main forces of the Red Army and the Xi’an Incident, I found my answer.
The Long March showed me that unity is a condition for survival — not in the sense of “I need you for now, so let’s work together.” Rather, it was “We believe in a common cause, so we must stand together.” That kind of unity does not dissolve when the danger is gone, because it is rooted not in fear, but in conviction.
Whether I look at stories of the Long March or at China’s development today, what strikes me is not simply unity itself. What gives unity its power is the shared ideal that enables people to stand together, and the common mission that at critical moments, enables them to rise above the interests of the individual, of groups, and even of political parties.
Wang Xiaohui:
From the arduous trails of the Long March to the contemporary journey of national rejuvenation, when a group of people or a whole nation stand united around common ideals, they will always arrive at the future they hoped for, no matter how lengthy and winding the road ahead is.
China Mosaic
http://www.china.org.cn/video/node_7230027.htm
Unity: The Convergence of the Three Main Red Army Forces
http://www.china.org.cn/2026-10/20/content_118741729.shtml
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SOURCE China.org.cn
Technology
KingClean Debuts at the 140th Canton Fair with One-Stop ODM Solutions for Global Brands
Published
46 minutes agoon
October 21, 2026By
GUANGZHOU, China, Oct. 21, 2026 /PRNewswire/ — KingClean, a global leader in home appliances and cleaning solutions, showcased its latest smart home product line at the 140th Canton Fair, which includes cleaning appliances, kitchen and coffee equipment, drinking equipment, personal care and air comfort products. During the exhibition, KingClean held in-depth discussions with global channel partners at Booths E30–36 and F13–19, Hall 2.2, Zone A.
KingClean showcased over 40 innovative products. The cleaning appliances exhibition area covers cordless stick vacuum cleaners with docking stations, upright 3-in-1 wet-and-dry vacuum cleaner with steam, spot cleaner with steam, cordless mattress cleaners and canister. The kitchen appliance exhibition area showcases products such as cooking robot, commercial blenders, and fully automatic coffee machines. The water & beverage solutions area presents desktop intelligent water purifiers with functions of water purification, sparkling water, ice making, and tea brewing. In addition, KingClean balances personal care with environmental comfort, showcasing water-ion turbofan hair dryers, desktop air purifiers, and smart air circulation fans.
The collaboration between high-performance cleaning equipment and intelligent base stations is the key direction of this exhibition. The exhibits include cordless vacuum cleaners equipped with high-power motors, dust‑cup or dust‑bag docking stations, charging and automatic cleaning functions, as well as floor cleaning vacuum cleaners that integrate functions of steam cleaning, automatic water refilling, and hot air drying. Multiple reference models intuitively demonstrate how the same technology platform can flexibly adapt to different power levels, structural schemes, and accessory configurations.
KingClean also showcased a series of home fully automatic coffee machines, smoothies and ice-making equipment, as well as desktop intelligent beverage purifiers that supported flexible combinations of sparkling water, ice water, tea brewing, and coffee related modules in the beverage area. These exhibits could be further customized based on the customer’s beverage menus, usage frequency, and after-sales mode.
“We connect globally through innovative products, focusing on smart solutions that improve life and strengthen our leadership in the smart home industry” said Nate Yang, Senior Marketing Director at KingClean Electric Co., Ltd.
About KingClean
KingClean was founded in 1994 and is headquartered in Suzhou, China. The company specializes in high-end smart home appliances and mechatronic products, with motor as our core technology.
For more information, visit http://www.kingclean.com.
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SOURCE KingClean
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Husqvarna Group: INTERIM REPORT JANUARY – SEPTEMBER 2026
Published
46 minutes agoon
October 21, 2026By
STOCKHOLM, Oct. 21, 2026 /PRNewswire/ —
Consistent strategy execution in a continued challenging market
Third quarter 2026
Net sales decreased organically by 5%.Net sales decreased by 2% to SEK 9,012m (9,204), and included a positive impact of 3% from changes in exchange rates.Operating income amounted to SEK -334m (141) and the operating margin was -3.7% (1.5).Items affecting comparability (IAC) amounted to SEK -88m. These were primarily related to the execution of cost-saving initiatives.Excluding IAC, operating income amounted to SEK -246m (140), and the operating margin was -2.7% (1.5).Earnings per share (EPS) after dilution amounted to SEK -0.70 (-0.02) and EPS excluding IAC and after dilution amounted to SEK -0.58 (-0.02).Free operating cash flow was SEK 2,422m (2,423).Net debt was SEK 9.4bn (9.9).
January – September 2026
Net sales decreased organically by 2%.Net sales decreased by 5% to SEK 37,356m (39,184), and included an impact of -3% from changes in exchange rates.Operating income amounted to SEK 2,977m (3,735) and the operating margin was 8.0% (9.5).Items affecting comparability (IAC) amounted to SEK -445m. These were primarily related to the execution of cost-saving initiatives.Excluding IAC, operating income amounted to SEK 3,421m (3,742), and the operating margin was 9.2% (9.5).IEEPA-related tariff refunds of SEK 240m were recognized in COGS during the second quarter.Earnings per share (EPS) after dilution amounted to SEK 3.14 (4.43) and EPS excluding IAC and after dilution amounted to SEK 3.74 (4.44).Free operating cash flow was SEK 4,891m (4,743).
CEO Comment
We are making solid progress on our strategic priorities. Our cost savings program remains on track, recent product launches are receiving encouraging customer feedback, and we are broadening our presence across sales channels. Although these measures have not yet fully offset current market headwinds, they reinforce our confidence in the Group’s long-term competitiveness and prospects.
Financial performance summary
Net sales were SEK 9,012m (9,204), representing an organic decline of 5% in the quarter, primarily driven by continued weakness in Europe. Organic sales in the Husqvarna Forest & Garden Division declined by 10%, sales in the Husqvarna Construction Division were unchanged, while the Gardena Division delivered solid organic growth of 8%. Performance in the Husqvarna Forest & Garden Division was significantly affected by the widespread drought across large parts of Europe and continued weak consumer demand in key markets, including Germany and France. In contrast, strong growth in the Gardena Division’s Watering business highlighted the resilience of our diversified portfolio, gaining market shares in key markets, and the Husqvarna Construction Division has continued good momentum in its aftermarket business. I am also encouraged by continued growth across all three divisions in North America.
Operating income excluding IAC was SEK -246m (140), corresponding to a margin of -2.7% (1.5). The result reflected lower volumes in the Husqvarna Forest & Garden Division, an unfavorable product mix, inventory reductions and cost increases on raw materials and logistics costs. Free operating cash flow was stable at SEK 2,422m (2,423), as lower operating income was offset by changes in working capital, primarily driven by reduced inventories. We further strengthened the balance sheet, reducing net debt to SEK 9.4bn (9.9).
Executing on cost savings while navigating cost headwinds
Our transformative cost savings program remains on track to deliver SEK 3bn in gross savings by the end of 2028. Year-to-date savings reached approximately SEK 935m, including around SEK 305m in the third quarter, driven mainly by sourcing activities and personnel reductions. However, lower volumes, inventory reductions and cost headwinds continue to weigh on profitability. We are responding with targeted price increases, supply chain actions and product cost optimization, which will partly offset these pressures, although near-term headwinds are expected to remain.
We are advancing our asset-light strategy through further outsourcing initiatives. We will transfer production of selected Husqvarna-branded battery handheld products from Europe to Asia, using both our own facilities and external partners to enhance efficiency and competitiveness.
In addition, the ongoing discontinuation of the stone diamond tool business in the Construction Division, the phase-out of our Brastad component factory in the Husqvarna Forest & Garden Division and relocation of selected activities within Gardena’s European manufacturing network are progressing according to plan.
Unlocking the next phase of robotics growth
Our robotic lawn mowing business faced a difficult quarter, with adverse weather, competitive headwinds, and elevated channel partner inventories in Europe constraining demand for Husqvarna- and Gardena-branded products. Although recent performance has fallen short of expectations, we remain the clear market leader and we are confident in our strategy and longer-term development.
The strategic review of the Powered Garden BPU in the Gardena Division is ongoing and we aim to provide an update in the beginning of next year. Our priorities in the Husqvarna Forest & Garden Residential Robotics BPU include expanding our retail footprint and product range across price points and channels, strengthening the robotics organization and development model.
During the quarter, the US became the largest market in terms of sales for our Professional Robotics BPU, driven mainly by continued growth in the golf segment. Upcoming product launches and broader US distribution are expected to further strengthen our competitive position next season. We are also encouraged to be the first robotics company to receive conditional approval from the Federal Communications Commission (FCC) for foreign-produced advanced robotic devices in the US market.
Building a stronger, more competitive Husqvarna Group
We are accelerating change across the Group to create a leaner, more agile and asset-light organization. By challenging established ways of working, simplifying operations and acting decisively, we are strengthening competitiveness and profitability in the longer-term. Significant work remains, but I am confident we are moving in the right direction.
When consumer sentiment recovers, particularly in Europe, we will be well positioned to capture growth and improve earnings.
Glen Instone, CEO
Webcast presentation and telephone conference
A webcast presentation of the Q3 report hosted by Glen Instone, CEO and Patrik Johnson, CFO will be held at 9:00 CEST on Oct 21, 2026.
To view the presentation, please use this link.
The dial-in to the telephone conference (to ask questions):
+46 (0) 8 505 100 31 (Sweden) or +44 203 059 58 63 (UK)
Contact
Emelie Alm, Vice President, Investor Relations
+46 70 514 64 14
Husqvarna AB (publ), P.O. Box 7454, SE-103 92 Stockholm
Hälsingegatan 49, +46 8 738 90 00, www.husqvarnagroup.com
Reg. Nr: 556000-5331
(NASDAQ STOCKHOLM: HUSQ-A) (NASDAQ STOCKHOLM: HUSQ-B)
This report contains insider information that Husqvarna AB is required to disclose under the EU Market Abuse Regulation. The information was submitted for publication, through the contact person set out above, at 07:00 CEST on Oct 21, 2026.
Factors affecting forward-looking statements
This report contains some forward-looking statements. These statements are subject to risks and uncertainties that may give rise to major deviations in the result due to several aspects. These aspects include, among other things: consumer demand and market conditions in the geographical areas and lines of business in which Husqvarna operates, the effects of currency fluctuations, downward pressure on prices due to competition, success in developing new products, outcome of product responsibility litigation and progress in terms of reaching the goals set for productivity and efficient use of capital.
This information was brought to you by Cision http://news.cision.com
https://news.cision.com/husqvarna-group/r/interim-report-january—september-2026,c4412543
The following files are available for download:
https://mb.cision.com/Main/996/4412543/4328797.pdf
Interim report Q3 2026 Husqvarna Group
View original content:https://www.prnewswire.com/news-releases/husqvarna-group-interim-report-january–september-2026-302915009.html
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