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D-3 Millionth, Double-Neck Acoustic-Electric Among New Martin Guitar Models Unveiled at 2025 NAMM Show

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NAZARETH, Pa., Jan. 20, 2025 /PRNewswire/ — Martin Guitar is thrilled to unveil the latest additions to its 2025 NAMM Show lineup, featuring all-new instruments that embody its mission of unleashing the artist within.

These standout models join the refreshed Standard Series and Retro Plus guitars, showcasing Martin’s unwavering dedication to craftsmanship and creativity. Designed for musicians and collectors alike, they promise something truly extraordinary.

This special lineup of instruments will be on display at The 2025 NAMM Show in Anaheim, California, through Saturday, January 25, with more exciting releases to come.

D-3 MILLIONTH

The Martin D-3 Millionth is a breathtaking celebration of Martin Guitar’s rich legacy, craftsmanship, and the people behind it all. This limited-edition Dreadnought, marking the 3 millionth serialized Martin guitar, is a masterpiece in both sound and design that celebrates the “& Co.” in the company’s name.

Its top depicts a cross section of an American sycamore tree, featuring rings made of real sycamore and solid gold representing each year of the company’s growth, with diamonds marking major milestones in Martin’s 192-year history. The theme of “past, present, and future” is woven into every ornate detail, including its ebony headplate showcasing a diamond-filled Moravian star and an engraved 14-karat palladium pickguard, with rubies marking each of Martin’s three Nazareth-area factory locations since 1839.

On the back of the guitar, which is made of rare and coveted Brazilian rosewood, a beautiful sycamore tree of gold and pearl pays tribute to the countless employees who have left their fingerprints on the company’s legacy, from its early days in New York City to its longtime home in Nazareth, Pennsylvania.

With only three of these guitars in existence—and only one for sale (serial number 3,000,002)—this awe-inspiring instrument is both a tribute to the workers who built the brand and a testament to the innovation that keeps Martin at the forefront of acoustic excellence.

D-300

Inspired by the D-3 Millionth, the top of this limited-edition Dreadnought also represents the cross section of an American sycamore tree, with rings made of real sycamore and silver representing each year of the company’s growth, and solid gold dots marking pivotal moments in Martin’s history.

Its Brazilian rosewood back features a sycamore tree made of abalone, symbolizing the countless employees who have left their mark, while rubies embedded in the inlaid ebony pickguard represent Martin’s three Nazareth-area factory locations since 1839.

With European flamed maple binding, gold Waverly tuning machines with Liquidmetal® posts and custom brass knobs, and Liquidmetal bridge pins with bezel-set emeralds, the D-300 is both a visual and sonic masterpiece, honoring Martin’s enduring commitment to quality, artistry, and the workers who built the brand.

Only 30 of these guitars are available for purchase.

GRAND J-28E DN

For the first time in over a century, Martin is thrilled to offer a one-of-a-kind double-neck instrument—the Grand J-28E DN. As a member of the popular Standard Series lineup, this all-new guitar combines Martin’s renowned quality and craftsmanship with modern innovation, featuring an acoustic-electric with a twelve and six-string neck, giving you the versatility to explore new sounds, tunings, and musical textures all on one guitar.

Its powerful Grand Jumbo body delivers a bold, resonant tone, with solid East Indian rosewood back and sides and a solid spruce top that ensures balance and clarity across all playing styles.

This double-neck guitar took years to perfect, and thanks to cutting-edge technology at Martin’s Nazareth factory, the Grand J-28E DN, featuring two compound dovetail neck joints and unique X bracing, is now available to the public. Both necks feature a smooth satin finish and ebony fingerboard, with the six-string neck offering a slightly slimmer profile at the nut. It also includes built-in custom Fishman® electronics, making it ready for the stage and studio.

With classic 28-style appointments and endless sonic possibilities, this guitar is a dream for players seeking an extraordinary instrument that’s anything but standard.

CENTENNIAL 1 CONCERT UKE

Celebrate a major milestone of Martin craftsmanship with the limited-edition Centennial 1 Concert Uke. This understated yet elegant ukulele honors 100 years of Martin producing concert-sized ukes, which have been cherished by players worldwide since 1925.

Crafted from solid sinker mahogany, reclaimed from the depths of Belizean rivers, this uke has a rich, warm tone and a striking grain that only nature could create. Its concert size offers a coveted balance, sitting between the smaller soprano and larger tenor, making it comfortable to play while delivering full, resonant sounds. The neck is also made from sinker mahogany paired with an East Indian rosewood fingerboard that stops at the body joint, a nod to vintage ukulele design that opens up more of the instrument’s top for increased resonance.

With only 91 instruments available, this vintage-inspired uke is a rare find for players and collectors alike. It even includes a commemorative paper label inside to mark this special milestone, featuring an image of the North Street factory where the first concert ukes were handcrafted 100 years ago.

CENTENNIAL CONCERT UKE

Only offered through 2025, this vintage-inspired ukulele also honors 100 years of Martin manufacturing concert-sized ukes.

Crafted in Navojoa, Sonora, Mexico, it’s made from solid genuine mahogany, offering a blend of warmth and brightness with a punchy midrange that makes every note sing, while its select hardwood neck features an East Indian rosewood fingerboard that stops at the body joint. Coupled with spruce bracing, the design allows the body to resonate freely, resulting in a powerful, dynamic tonal response that honors the heritage of Martin’s original concert ukuleles.

Modern upgrades include Graph Tech RATIO® tuning machines, giving you the convenience and stability of a geared tuner while keeping the look and feel of a vintage friction peg. It also includes a commemorative paper label inside, featuring an image of the historic North Street factory, and is snugly housed in a softshell case.

The Centennial Concert Uke offers the chance to own a piece of Martin’s rich musical history, celebrating the world’s oldest surviving ukulele manufacturer.

CEO-11

The Martin CEO-11 is a striking, limited-edition acoustic-electric that blends artistry and craftsmanship in a way only Martin can. Designed by President and CEO Thomas Ripsam, this Grand Auditorium (M) model features a figured white oak multi-piece back and sides paired with an FSC®-certified European spruce top, offering a rich, dynamic sound that’s both powerful and warm.

The eye-catching New Horizons blue burst top and dark mahogany-colored sides create a look that’s as bold as the sound it creates. Unique inlays, including a custom Unalome symbol on the headplate, add a personal touch that speaks to finding your creative path.

With a two-piece flamed maple neck, European flamed maple binding, and scalloped spruce X bracing, the CEO-11 invites you to connect with your sound and express yourself fully. It’s equipped with Fishman Aura VT Blend electronics, custom-voiced to Thomas’ preference, ensuring that its tone stands out wherever you play.

The number 11, a “master number” that symbolizes intuition and creativity, aligned perfectly with the guitar’s artistic vision, acting as a subtle reminder of the journey every artist takes to find their true voice. Limited to only 1,111 models, the CEO-11 is built for players looking to make a statement—sonically and visually—while staying true to Martin’s legacy of unleashing the artist within. Each guitar includes a blue paper label signed and numbered by Thomas.

00L OLIVER

The Martin 00L Oliver is a stunning new model born from a unique collaboration between Martin Guitar and renowned artist Julie Heffernan. This limited-edition acoustic features Heffernan’s captivating oil painting Self-Portrait as Arms and the Men, beautifully reproduced on its FSC-certified solid spruce top.

Heffernan’s painting transforms the guitar into a canvas that tells a story every time you play it. Her surrealist landscape lays bare the conflict between nature and humankind’s impact on the planet, and the result is something you can both showcase and play.

Beyond its eye-catching artwork, the 00L Oliver, named after Heffernan’s son, is crafted with premium materials and appointments. With a sloped-shoulder Grand Concert body, its solid medium-flame koa satin back and sides bridge the gap between the rich tones of rosewood and the warm, resonant qualities of mahogany. Its FSC-certified satin spruce top also delivers balanced projection while underscoring Martin’s commitment to sustainability.

With only 104 instruments available, the 00L Oliver is a harmonious blend of art and music, inspired by Heffernan’s visionary artwork and Martin’s legacy of excellence. Whether you’re a collector, musician, or lover of fine art, this guitar promises to inspire creativity and unleash your inner artist.

D-ROBERT GOETZL 10

The D-Robert Goetzl 10 is a one-of-a-kind creation that lets both music and art take flight. Hand-painted by acclaimed artist Robert Goetzl, this stunning Martin Dreadnought features a vibrant hummingbird surrounded by bright, blooming flowers, bursting with color and life.

Just like a hummingbird, this guitar is light and agile, yet full of energy and vibrancy. The solid spruce top, adorned with Goetzl’s artwork, ensures the guitar’s rich, resonant tone soars, while the solid East Indian rosewood back and sides provide deep bass and lush overtones.

Goetzl worked closely with Martin’s expert craftspeople to bring his vision to life. “Not only are they making a beautiful body for me to work on, but once I hand it over, they help really make it special,” says Goetzl. From the hand-painted top to the final touches added by Martin’s team of artisans, this guitar is a true collaborative effort.

Complete with an abalone rosette, Waverly gold tuners, and a genuine mahogany neck, the D-Robert Goetzl 10 is a striking piece of playable art. Whether it’s perched on your wall or in your hands, this bird is ready to sing.

For more information about these and other Martin releases, visit martinguitar.com.

ABOUT C. F. MARTIN & CO.®

C. F. Martin & Co.® has been making the finest handcrafted acoustic guitars for nearly two hundred years. For some of the biggest names and the most revered musical legends across every genre and every decade. And we’ve been doing it with pure artistic passion, a deep love for all things music, and an unwavering commitment to our community and the environment.

But most importantly, we’re still doing it… for you. For current and future generations of pioneers, rebels, and dreamers. For the beginners, the pros, and everyone in between. We believe music is an unstoppable force. It raises us up. Tells our truths. Gets us on our feet. Expresses our deepest heartaches. And our greatest joys.

So, we’ll continue to make the very best acoustic instruments and strings for as long as there are people like you who love music and love making it. We want to be there to help you tell your story. To help you share your music with the world. To help unleash the artist within.

We’re ready for the next two hundred years. Want to come with us? Visit martinguitar.com.

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SOURCE C.F. Martin Guitar Co.

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Haloid Poll: Majority of Public Safety and Commercial Radio Administrators Would Consider Starlink Integration With LMR Two-Way Radio Networks, but Disruption Unlikely

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STONY BROOK, N.Y., Oct. 25, 2026 /PRNewswire/ — Following Starlink’s announced entry into the mobile communications space, Haloid’s consulting team polled government and business land mobile radio (LMR) administrators on whether Starlink could replace, or complement, their LMR systems. We found that most radio administrators were receptive to the nascent technology but did not see it as a replacement for their LMR networks.

Sixty-seven percent of radio administrators said they would be willing to integrate Starlink technology if it allowed them to expand coverage or lower infrastructure costs. When asked whether Starlink could completely replace their LMR networks, fewer than 15 percent said yes; the vast majority believed Starlink is not as reliable as the custom networks they have built. Among administrators who already use two-way radio over cellular (also known as push-to-talk over cellular, or PoC), however, nearly 80 percent said that Starlink’s satellite coverage, combined with its newly acquired cellular spectrum, would make it more desirable than the industry’s wireless incumbents because it could eliminate dead spots where cellular does not reach.

In the U.S., hundreds of thousands of radio users rely on traditional cellular carriers for push-to-talk communications, and that number grows each year. While the migration to two-way radio over cellular has affected the LMR industry, it has not replaced it. Many public safety agencies never made the switch, citing the risk that cellular networks could go down during weather events, power outages, or cyberattacks and jeopardize emergency communications.

In fact, during recent cellular outages, Starlink was used to provide emergency communications to affected areas, because its satellite connectivity does not depend on cell towers. But Starlink’s integration with the 800 MHz cellular spectrum — “Starlink 2.0,” as some experts are calling it — exposes it to some of the same vulnerabilities as traditional wireless carriers.

While Starlink’s satellite service might still function if local cell towers go down, a critical portion of an agency’s communications might rely on local towers using the 800 MHz spectrum, leaving the agency vulnerable in a storm or outage.

Expect evolution, not disruption

“Just like cellular didn’t replace LMR, we don’t see Starlink as an existential risk,” said Jeremy Alicandri, President of Haloid Solutions. He expects Starlink to accelerate the industry’s evolution toward shared communications infrastructure, also known as hybrid LMR. “We have public safety customers already using Starlink in their vehicles to extend the coverage of their radios. This trend will continue as Starlink devices become more ubiquitous.”

The stock prices of Verizon, T-Mobile, and AT&T were affected by Starlink’s recent announcement. LMR stocks such as L3Harris, JVCKENWOOD, and BK Technologies, maker of the Bendix King brand, have been unaffected, as Wall Street views Starlink as unlikely to replace LMR technology for the same reasons cellular did not. “But it may be too early to predict the industry’s winners and losers,” Alicandri added. “The cellular incumbents have many advantages, including low-cost devices, existing infrastructure, and their own satellite ambitions.”

About Haloid Solutions Research

Haloid’s Starlink poll drew on respondents to its LMR brand loyalty study, which measures radio administrators’ sentiment toward the ownership and after-sales experience. Haloid’s LMR research is sponsored by investors in the mission-critical communications space.

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SOURCE HALOID SOLUTIONS

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Newborn Town and Viggle Launch AI-Powered 3D Interactive Game, Bringing World Models to Social Gaming

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HONG KONG, Oct. 26, 2026 /PRNewswire/ — Recently, Newborn Town’s game-oriented social platform TopTop has launched “Slap Showdown”, an AI-powered 3D interactive mini-game developed in collaboration with Viggle, a company specializing in physics-native world models. The launch brings world model technology into social gaming, offering users a more personalized and engaging interactive experience.

Developed by TopTop and powered by Viggle’s self-developed Joint Space-Time (JST) world model, “Slap Showdown” lets users turn uploaded photos into customized 3D characters and take them straight into the game.

Launched in September, “Slap Showdown” has gained particular traction in Japan, among Spanish-speaking users in North America, and across the Middle East. It is now available in multiple countries and regions worldwide.

From Better Gameplay to a Richer Ecosystem: How World Models Could Redefine Social Gaming on TopTop

In terms of gameplay, “Slap Showdown” combines AI-generated 3D characters with multiplayer interaction. Players can simply upload a photo from their phone and generate a personalized 3D character in around 30 seconds, whether it’s an anime protagonist, a cyberpunk cyborg, or a LEGO minifigure. They can then bring their custom characters into the game and face off against other players in fun, interactive battles.

As players use controls such as press-and-hold, tap, and drag, the 3D characters respond with realistic, physics-based movements. This takes AI-generated characters beyond visual customization, integrating them directly into the gameplay experience.

According to TopTop’s operations team, “Slap Showdown” has attracted a growing base of highly engaged, high-spending-potential players in its first month since launch. The game has recorded a 97% match completion rate, while its game-start rate has also exceeded the platform-wide average.

The depth of user engagement is further illustrated by individual player activity. One player in Japan completed 1,041 matches over 22 days, reaching a daily peak of 151 matches and averaging one match every 9.5 minutes. Another particularly avid player in Eastern Europe completed 735 matches in just 11 days, averaging 66.8 matches per day and peaking at 126 matches in a single day.

For a UGC-driven social gaming platform such as TopTop, mini-games serve as entry points and traffic drivers, while social features underpin retention and monetization. Personalized 3D avatars add another dimension to that experience. Beyond their visual appeal, they give users new ways to express themselves, interact with friends and share memorable moments. In turn, richer gameplay and more meaningful social interactions can help improve retention, attract new users and strengthen engagement across the platform.

“Slap Showdown” marks a successful step in TopTop’s efforts to deepen its application of AI technology, as well as a starting point for using world models to enhance gaming and social experiences. TopTop’s operations team said future game releases could make greater use of AI-powered 3D generation, extending beyond avatars to include customized environments. Existing games could also be revitalized by the introduction of new gameplay features, potentially driving stronger retention and user acquisition.

Beyond enriching gameplay, world model capabilities could also reshape social interaction itself, enabling more immersive, face-to-face experiences in virtual spaces. “We’re constantly exploring how AI can transform gaming and social interaction, while bringing new energy and capabilities to our UGC ecosystem,” TopTop’s operations team said.

Viggle Unveils Physics-Native Model JST-2, Setting Its Sights on Becoming the Infrastructure Layer for Physical AI

The world model technology powering “Slap Showdown” is provided by Viggle.

Founded in 2022, Viggle has focused on developing physics-native world foundation models. Its self-developed JST model can generate 3D characters, motion and environments directly, providing a foundation for gaming and a growing range of AI applications.

Viggle previously attracted widespread attention with Meme Maker, its AI-powered video creation product. The tool enables users to animate static characters and generate videos by applying specified movements, making AI character animation and video creation more accessible. In August 2024, Viggle raised USD 19 million in a Series A funding round led by Silicon Valley venture capital firm Andreessen Horowitz (a16z).

However, video creation was an early application of this technology. Viggle’s longer-term ambition is to make JST a foundational technology for AI-powered experiences across gaming, social platforms and other applications.

Viggle is now further expanding its technological boundaries. On 19 October, Viggle launched JST-2 in full, likening its significance for world models to GPT-2’s role in the evolution of language models.

Unlike many world models that infer physical structure indirectly from pixels, JST-2 is built around a physics-native architecture designed to learn the structure and dynamics of the 3D world directly. Its underlying representation consists of units resembling digital “atoms.” Each has a defined position in three-dimensional space, along with physical properties such as material, color and mass, and information describing how it moves and responds to forces. This allows the model to do more than generate convincing images. It can represent and generate 3D characters, motion and scenes with an underlying understanding of their physical properties.

To support this approach, Viggle has developed an integrated technology stack spanning tokenization, model architecture, data engine, pre-training and post-training. After four years of research and development, JST-2 can generate characters, motion and scenes within a single unified architecture.

Compared with other approaches, JST-2 also demonstrates cost efficiency. JST-2 can generate a 3D scene in seconds, at an inference cost of less than one US cent. Once created, the content can be rendered locally without repeatedly running the foundation model to generate each frame.

It is noteworthy that world model technology remains at an early stage, but Viggle is already working toward more advanced capabilities.

Its next-generation model, JST-3, is intended to become a comprehensive world simulator. Such a system could underpin future game and graphics engines, while also serving as a virtual training environment for robotics and other forms of physical AI.

The longer-term goal is for JST-3 to learn the physical rules governing its simulated world directly from data, rather than relying on rules explicitly written by developers.

For Newborn Town, its investment in and partnership with Viggle represents an important step in exploring how advanced AI can reshape social gaming, promoting a deep integration of AI technology with its business operations.

As a leading global social entertainment company, Newborn Town has continued to deepen the use of AI across key areas in recent years, including product R&D, social recommendation systems, intelligent operations, safety and risk management, and marketing and user acquisition, supporting ongoing business growth.

Meanwhile, the company also continued to invest across the AI ecosystem, backing projects in areas including world models, AI companionship, AI Agents and AI interactive gaming. These investments have further enriched its AI application ecosystem, with Viggle among the AI companies previously backed by Newborn Town.

“Slap Showdown” represents an early step in bringing world models into social gaming. For Newborn Town and Viggle, the next challenge is to turn increasingly sophisticated AI capabilities into experiences that users find genuinely engaging — and compelling enough to keep coming back.

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SOURCE Newborn Town

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HKICEC Launches First-Ever Global Mobile Exchange Pavilion at Mobile Electronics Show

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Charting a New Milestone with Outstanding Achievements

HONG KONG, Oct. 26, 2026 /PRNewswire/ — The Hong Kong International Communications Electronic Chamber (HKICEC) made a landmark debut at the Global Sources Mobile Electronics Show, held from October 18-21, 2026, with the inaugural launch of the HKICEC Global Mobile Exchange Pavilion. Spanning 600 square meters, the pavilion brought together nearly 60 industry leaders from mainland China, Hong Kong, India, Japan, the UAE, the US and the UK. As the largest themed pavilion in the mobile electronics sector and a premier highlight of the exhibition, this event marks a new developmental milestone for HKICEC. The pavilion underscores the chamber’s dedication to bridging global markets and serving the communications and electronics industry, injecting vital new momentum into the synergy between Hong Kong’s technology sector and international trade.

The grand opening ceremony on October 18 marked the official launch of the first B2B pavilion in Hong Kong and Asia dedicated exclusively to mobile communications equipment. The milestone event was officiated by a distinguished lineup of devices global business, including  Dr. the Hon. Starry Lee Wai King, GBS, JP, Member of the Standing Committee of the National People’s Congress and President of the Legislative Council; Mr. Zhu Xiaodong, Director of the Kowloon Affairs Department of the Liaison Office of the Central People’s Government in the HKSAR; Dr. the Hon. Horace Cheung Kwok Kwan SBS JP, Deputy Secretary for Justice, HKSAR; Mr. Liu Maozhou, Level 1 Bureau Rank Official, the Economic and Financial Department II, Liaison Office of the Central People’s Government in the HKSAR; Mr. Ho Lap Ki, Denny, JP, District Officer (Kwun Tong), Home Affairs Department; Mr James Liu, CEO of Global Sources; and Mr. Jacky Tse, Chairman of HKICEC, alongside HKICEC Management team. Together, they witnessed the official launch of the first B2B pavilion in Hong Kong and Asia dedicated to mobile communications equipment. The ceremony drew over a hundred political and business leaders, industry representatives, international exhibitors, and major media outlets, reflecting the event’s importance and the industry’s green trading development. Following the inauguration, officials toured the pavilion for high-level discussions with global exhibitors, signaling robust institutional backing for the industry and HKICEC’s strategic expansion.

During the four-day exhibition, the pavilion experienced a continuous flow of visitors. Communications and electronics suppliers and global buyers from overseas visited specifically for business matchmaking and negotiations, unlocking numerous commercial opportunities. Notably, the pavilion also featured a retrospective exhibit of 16 classic mobile phones, tracing the industry’s evolution from early ‘brick’ devices to Mainland China’s first official Apple release, the iPhone 3GS. The historical display proved to be a standout attraction, gathering large crowds throughout the event.

Beyond the exhibition floor, the chamber partnered with Global Sources to co-host an international forum on October 19. Under the theme ” From New Devices to New Life: Building a Global Mobile Device Lifecycle Ecosystem”, the event gathered experts from ecoATM, PCS Wireless, Cenwood, Our Hong Kong Foundation, and the Global Mobile Association. They engaged in profound discussions on cutting-edge topics including the global economic landscape, inventory management, ESG development, the circular ecology of new and used devices, and AI technology.  Attended by over 200 international representatives, the forum successfully catalyzed cross-border collaboration and established a new standard for sustainability discourse in the global mobile industry.

As a capstone to the comprehensive four-day events, HKICEC convened over 500 industry leaders, VIPs, and exhibitors for a high-profile networking banquet designed to accelerate cross-border business alliances. The gathering provided a premier platform for delegates to solidify collaborative ties and exchange strategic insights initiated from the pavilion. Ahead of the exhibition’s conclusion, a special ” Pearl Of The Orient • Victoria Harbour Cruise Party” was organized to showcase Hong Kong’s unique charm as a cosmopolitan city to global guests, providing a memorable networking experience against Hong Kong’s iconic skyline to formally cap off the week’s successes.

High-resolution images: https://bit.ly/3WqHMxu

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SOURCE The Hong Kong International Communications Electronic Chamber (HKICEC)

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