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AAF WELCOMES NEW INDUCTEES INTO THE ADVERTISING HALL OF ACHIEVEMENT

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ISSA RAE TO RECEIVE SECOND ANNUAL CULTURAL FORCE AWARD

Class of 2024 honors individuals from agencies to marketers, and digital to media, who are leading the industry forward 

WASHINGTON, Aug. 22, 2024 /PRNewswire/ — The American Advertising Federation (AAF), the “unifying voice for advertising,” announced nine new inductees into its prestigious AAF Advertising Hall of Achievement (AHOA). The AHOA celebrates those individuals aged 40 and younger who are helping to lead the industry forward. They were selected following a months-long process that involved a rigorous review of the candidates by an esteemed group of industry leaders including former inductees and top marketers representing media, agencies, consumer goods, and social platforms. The Hall of Achievement Induction ceremonies and dinner, presented by TikTok, will take place on Thursday evening, November 21 at Pier Sixty in New York City. And for the second year in a row, induction ceremonies will take place in “prime time.” 

AAF’s Advertising Hall of Achievement recognizes amazing industry leaders making an impact on the advertising community

“The AAF Advertising Hall of Achievement, now in its 32nd year, provides inspiration and motivation to our members, and is another great example of why our industry’s future is so bright,” said Steve Pacheco, President & CEO of the AAF.  “It is the gold standard in identifying and recognizing amazing industry leaders who are making a consequential impact on the advertising community as well as being a cultural force for good.” 

This year’s list of inductees cuts across industries, companies, business size, culture, social media and more. They join a distinguished list of past industry honorees and include (in alphabetical order): 

Imani Ellis, Founder & CEO, The Creative Collective. Through her detailed event design and community building, Imani is revolutionizing the relationship between Black creatives and the experiential advertising industry. CultureCon is the largest community in the country for Black and Brown creatives, offering network opportunities for nearly 30,000 creatives every year. Imani’s passion to pour back into her community and create something bigger than herself is what fueled the creation of The Creative Collective, the community and engine behind CultureCon. 

Imani will also be the recipient of the Jack Avrett Volunteer Spirit Award for industry service. 

Bianca Guimaraes, Partner & Executive Creative Director, Mischief @ No Fixed Address. Bianca is one of the lead architects behind what has become the most in-demand creative department in the world at the agency, Mischief @ No Fixed Address. A Founding Partner, her biggest strength is to play angel’s advocate – finding ways to make the impossible possible. What started out as six people behind a Zoom is today five times Agency of the Year, the most effective Independent Agency, and multiple Most Innovative Agency winner. A career that started in Sao Paulo, Brazil, Bianca is the American Advertising Dream.

Sanja Komljenovic, Founder, CEO & Executive Creative Director, ONA Creative.  ONA was born in 2015 based on Sanja’s desire to focus on social change, especially as it pertains to women’s rights and representation for other marginalized groups. Standing for “her” in Bosnian, ONA has grown to include global brands like the Nike Jordan Brand, Ulta Beauty, US Soccer, WNBA and more, as well as the National Women’s Soccer League (NWSL) and notable women-led startups. Sanja recognized the importance of gender equality and sports early on. “I am trying to build up other women and people who have been left out of our industry.”

Danisha Lomax, EVP, Head of Client Inclusivity & Impact, Digitas. “Can we stand for something?” This compelling inquiry has been a torch for Danisha, driving her actions within her team, workplace, industry, and community. Inspired by this pivotal question, she has taken the reins in embedding DE&I as a systematic and recurring element in all aspects of business – from social marketing practices to Inclusive Tech. Proactive by nature, Danisha is deeply involved with Boards advocating community development, dedicated to her agency and clients, outspoken about her views and fully committed to her perpetual journey of self-growth.

Karen Land Short, Global Executive Creative Director & Managing Director, Sustainability, Accenture Song. Karen’s goal is to make sustainability relevant and actionable for everyone. She kicked off her career as a national winner in AAF’s National Student Advertising Competition. Her work has created impactful change in the space of sustainability, including areas like female empowerment and equity, improving the quality of food in America, youth efforts for climate action, helping solar energy to be adopted, and participating in our democracy. Quite simply, Karen believes in the power of creativity to do good.

Neil Waller, Co-Founder & Co-CEO, Whalar Group. A complete outsider who decided to enter the advertising world, Neil has forged a path for himself and influencers and creators as an unmistakable force in the ad landscape. Whalar Group has become the world leader in professionalizing the entire process of collaboration between creators and brands. He’s applied neuroscience to his work, fielded a first-of-its-kind Media Mix Model, and his company has been recognized as Most Innovative, a Best Place to Work, and Social Media/Influencer Agency of the Year.  And more.

Melanie L. Washington, Esq., Principal, Head of Global Contract Advisory, MediaLink. Few marketing leaders want to spend their time in contracts. But that’s where Melanie not only thrives, but innovates. At MediaLink, she established a new specialty practice – Contract Optimization and Risk Evaluation (C.O.R.E.), which has completely reshaped how brands, agencies and their legal teams structure deals, drive growth, and navigate the economic, regulatory, geopolitical and environmental issues challenging the industry. Known as the “Contract Whisperer,” Melanie has architected contractual terms that have influenced $45 billion of global media spend.

Marques E. Zak, Head of Multicultural Marketing, American Express. From Deloitte to PepsiCo to American Express, Marques is an award-winning marketing strategist and brand builder who operates at the intersection of creativity, culture and commerce. In his role at Amex, he has led the development of programs supporting underrepresented business owners, as well as conceived and executed differentiated experiences celebrating Black chefs, creators and culture. He’s passionate about recruiting and developing talent and serves in volunteer leadership roles at ADCOLOR, arts organizations, and his alma mater.

“No one opens the aperture of advertising like the AAF with its recognition of achievement and talent of all kinds from founders, culture creators, creatives, and wave makers,” said Christena Pyle, Co-Chair of this year’s AHOA Council of Judges, Chief Equity Officer at dentsu Americas and an inductee of the AHOA in 2021. “This class stood out for their focus on innovation, but not at the expense of impact and giving back. These are the leaders transforming and architecting the future of advertising. November will be an emotional night to remember.” 

In 2023, the AAF introduced the Cultural Force Award, a special recognition given to an individual meeting the same age criteria whose brand, business, or programs have proven to be a cultural force that has influenced the way we advertise, market, or reach new audiences. The inaugural recipient was NBA All-Star, author, and entrepreneur, Chris Paul. The second recipient who will be part of the 2024 Class of Inductees is Issa Rae: writer, producer, actress and entrepreneur.

Tim Natividad, Co-Chair of the 2024 AHOA Council of Judges and GM, US Head of Enterprise Sales at TikTok, noted, “What makes this year’s Hall of Achievement class truly special is the diverse representation across all of the contributors in the greater advertising ecosystem. We also have inductees coming from the emerging and growing Creator community. No one represents this trend in creator-led cultural influence better than Issa Rae, whom we are excited to present the Cultural Force Award. Her journey from creator to entertainer represents the game changing contributions that other Hall of Achievement inductees have pioneered in their own respective fields.”

Each of the 2024 honorees will be featured on upcoming segments of Future Legends of Advertising, AAF’s hugely popular podcast series co-produced by iHeartMedia and Known, and in its third season.  The series pairs AAF Hall of Fame and Hall of Achievement honorees in toe-to-toe conversations focused on the most pressing industry issues of the moment.  Listen to Seasons 1 and 2 here.     

The November induction ceremonies bring the event’s first-ever presenting sponsor and one of AAF’s longtime corporate partners, TikTok. Amazon Advertising, ClearChannel Outdoor, dentsu, Digitas, Google, iHeartMedia, Known agency, MediaLink (a UTA Company), Omnicom and Spotify have also signed on as sponsors of the Ceremonies & Dinner. For further details about the AHOA dinner and ceremonies in November including sponsorship opportunities, visit www.aaf.org/ahoa. 

ABOUT AAF  

The AAF’s Board of Directors guides and oversees the Federation’s signature events and initiatives, including the Advertising Hall of Fame, Advertising Hall of Achievement, American Advertising Awards, Mosaic Awards, ADMERICA, Advertising Day on the Hill, Most Promising Multicultural Students Program, and HBCUs for Advertising – all serving the Federation’s 35,000+ professional members nationwide, 5,000+ students and educators, and more than 60+ corporate members spanning media and tech companies, advertisers and agencies. Established in 1905, the American Advertising Federation (AAF), acts as the “Unifying Voice for Advertising.” Visit https://aaf.org. 

ABOUT AAF ADVERTISING HALL OF ACHIEVEMENT (AHOA)

For over 30 years, the Advertising Hall of Achievement has long been the gold standard in recognizing professionals aged 40 and younger making a notable impact on the advertising industry. Individuals who meet the given criteria are nominated for consideration for induction, and a Council of Judges made up of AHOA alumni and top industry executives elects the inductees after two rounds of voting. The Advertising Hall of Achievement was established and is executed by the AAF, the same organization that carries out the Advertising Hall of Fame. 

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SOURCE American Advertising Federation

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Haloid Poll: Majority of Public Safety and Commercial Radio Administrators Would Consider Starlink Integration With LMR Two-Way Radio Networks, but Disruption Unlikely

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STONY BROOK, N.Y., Oct. 25, 2026 /PRNewswire/ — Following Starlink’s announced entry into the mobile communications space, Haloid’s consulting team polled government and business land mobile radio (LMR) administrators on whether Starlink could replace, or complement, their LMR systems. We found that most radio administrators were receptive to the nascent technology but did not see it as a replacement for their LMR networks.

Sixty-seven percent of radio administrators said they would be willing to integrate Starlink technology if it allowed them to expand coverage or lower infrastructure costs. When asked whether Starlink could completely replace their LMR networks, fewer than 15 percent said yes; the vast majority believed Starlink is not as reliable as the custom networks they have built. Among administrators who already use two-way radio over cellular (also known as push-to-talk over cellular, or PoC), however, nearly 80 percent said that Starlink’s satellite coverage, combined with its newly acquired cellular spectrum, would make it more desirable than the industry’s wireless incumbents because it could eliminate dead spots where cellular does not reach.

In the U.S., hundreds of thousands of radio users rely on traditional cellular carriers for push-to-talk communications, and that number grows each year. While the migration to two-way radio over cellular has affected the LMR industry, it has not replaced it. Many public safety agencies never made the switch, citing the risk that cellular networks could go down during weather events, power outages, or cyberattacks and jeopardize emergency communications.

In fact, during recent cellular outages, Starlink was used to provide emergency communications to affected areas, because its satellite connectivity does not depend on cell towers. But Starlink’s integration with the 800 MHz cellular spectrum — “Starlink 2.0,” as some experts are calling it — exposes it to some of the same vulnerabilities as traditional wireless carriers.

While Starlink’s satellite service might still function if local cell towers go down, a critical portion of an agency’s communications might rely on local towers using the 800 MHz spectrum, leaving the agency vulnerable in a storm or outage.

Expect evolution, not disruption

“Just like cellular didn’t replace LMR, we don’t see Starlink as an existential risk,” said Jeremy Alicandri, President of Haloid Solutions. He expects Starlink to accelerate the industry’s evolution toward shared communications infrastructure, also known as hybrid LMR. “We have public safety customers already using Starlink in their vehicles to extend the coverage of their radios. This trend will continue as Starlink devices become more ubiquitous.”

The stock prices of Verizon, T-Mobile, and AT&T were affected by Starlink’s recent announcement. LMR stocks such as L3Harris, JVCKENWOOD, and BK Technologies, maker of the Bendix King brand, have been unaffected, as Wall Street views Starlink as unlikely to replace LMR technology for the same reasons cellular did not. “But it may be too early to predict the industry’s winners and losers,” Alicandri added. “The cellular incumbents have many advantages, including low-cost devices, existing infrastructure, and their own satellite ambitions.”

About Haloid Solutions Research

Haloid’s Starlink poll drew on respondents to its LMR brand loyalty study, which measures radio administrators’ sentiment toward the ownership and after-sales experience. Haloid’s LMR research is sponsored by investors in the mission-critical communications space.

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SOURCE HALOID SOLUTIONS

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Newborn Town and Viggle Launch AI-Powered 3D Interactive Game, Bringing World Models to Social Gaming

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HONG KONG, Oct. 26, 2026 /PRNewswire/ — Recently, Newborn Town’s game-oriented social platform TopTop has launched “Slap Showdown”, an AI-powered 3D interactive mini-game developed in collaboration with Viggle, a company specializing in physics-native world models. The launch brings world model technology into social gaming, offering users a more personalized and engaging interactive experience.

Developed by TopTop and powered by Viggle’s self-developed Joint Space-Time (JST) world model, “Slap Showdown” lets users turn uploaded photos into customized 3D characters and take them straight into the game.

Launched in September, “Slap Showdown” has gained particular traction in Japan, among Spanish-speaking users in North America, and across the Middle East. It is now available in multiple countries and regions worldwide.

From Better Gameplay to a Richer Ecosystem: How World Models Could Redefine Social Gaming on TopTop

In terms of gameplay, “Slap Showdown” combines AI-generated 3D characters with multiplayer interaction. Players can simply upload a photo from their phone and generate a personalized 3D character in around 30 seconds, whether it’s an anime protagonist, a cyberpunk cyborg, or a LEGO minifigure. They can then bring their custom characters into the game and face off against other players in fun, interactive battles.

As players use controls such as press-and-hold, tap, and drag, the 3D characters respond with realistic, physics-based movements. This takes AI-generated characters beyond visual customization, integrating them directly into the gameplay experience.

According to TopTop’s operations team, “Slap Showdown” has attracted a growing base of highly engaged, high-spending-potential players in its first month since launch. The game has recorded a 97% match completion rate, while its game-start rate has also exceeded the platform-wide average.

The depth of user engagement is further illustrated by individual player activity. One player in Japan completed 1,041 matches over 22 days, reaching a daily peak of 151 matches and averaging one match every 9.5 minutes. Another particularly avid player in Eastern Europe completed 735 matches in just 11 days, averaging 66.8 matches per day and peaking at 126 matches in a single day.

For a UGC-driven social gaming platform such as TopTop, mini-games serve as entry points and traffic drivers, while social features underpin retention and monetization. Personalized 3D avatars add another dimension to that experience. Beyond their visual appeal, they give users new ways to express themselves, interact with friends and share memorable moments. In turn, richer gameplay and more meaningful social interactions can help improve retention, attract new users and strengthen engagement across the platform.

“Slap Showdown” marks a successful step in TopTop’s efforts to deepen its application of AI technology, as well as a starting point for using world models to enhance gaming and social experiences. TopTop’s operations team said future game releases could make greater use of AI-powered 3D generation, extending beyond avatars to include customized environments. Existing games could also be revitalized by the introduction of new gameplay features, potentially driving stronger retention and user acquisition.

Beyond enriching gameplay, world model capabilities could also reshape social interaction itself, enabling more immersive, face-to-face experiences in virtual spaces. “We’re constantly exploring how AI can transform gaming and social interaction, while bringing new energy and capabilities to our UGC ecosystem,” TopTop’s operations team said.

Viggle Unveils Physics-Native Model JST-2, Setting Its Sights on Becoming the Infrastructure Layer for Physical AI

The world model technology powering “Slap Showdown” is provided by Viggle.

Founded in 2022, Viggle has focused on developing physics-native world foundation models. Its self-developed JST model can generate 3D characters, motion and environments directly, providing a foundation for gaming and a growing range of AI applications.

Viggle previously attracted widespread attention with Meme Maker, its AI-powered video creation product. The tool enables users to animate static characters and generate videos by applying specified movements, making AI character animation and video creation more accessible. In August 2024, Viggle raised USD 19 million in a Series A funding round led by Silicon Valley venture capital firm Andreessen Horowitz (a16z).

However, video creation was an early application of this technology. Viggle’s longer-term ambition is to make JST a foundational technology for AI-powered experiences across gaming, social platforms and other applications.

Viggle is now further expanding its technological boundaries. On 19 October, Viggle launched JST-2 in full, likening its significance for world models to GPT-2’s role in the evolution of language models.

Unlike many world models that infer physical structure indirectly from pixels, JST-2 is built around a physics-native architecture designed to learn the structure and dynamics of the 3D world directly. Its underlying representation consists of units resembling digital “atoms.” Each has a defined position in three-dimensional space, along with physical properties such as material, color and mass, and information describing how it moves and responds to forces. This allows the model to do more than generate convincing images. It can represent and generate 3D characters, motion and scenes with an underlying understanding of their physical properties.

To support this approach, Viggle has developed an integrated technology stack spanning tokenization, model architecture, data engine, pre-training and post-training. After four years of research and development, JST-2 can generate characters, motion and scenes within a single unified architecture.

Compared with other approaches, JST-2 also demonstrates cost efficiency. JST-2 can generate a 3D scene in seconds, at an inference cost of less than one US cent. Once created, the content can be rendered locally without repeatedly running the foundation model to generate each frame.

It is noteworthy that world model technology remains at an early stage, but Viggle is already working toward more advanced capabilities.

Its next-generation model, JST-3, is intended to become a comprehensive world simulator. Such a system could underpin future game and graphics engines, while also serving as a virtual training environment for robotics and other forms of physical AI.

The longer-term goal is for JST-3 to learn the physical rules governing its simulated world directly from data, rather than relying on rules explicitly written by developers.

For Newborn Town, its investment in and partnership with Viggle represents an important step in exploring how advanced AI can reshape social gaming, promoting a deep integration of AI technology with its business operations.

As a leading global social entertainment company, Newborn Town has continued to deepen the use of AI across key areas in recent years, including product R&D, social recommendation systems, intelligent operations, safety and risk management, and marketing and user acquisition, supporting ongoing business growth.

Meanwhile, the company also continued to invest across the AI ecosystem, backing projects in areas including world models, AI companionship, AI Agents and AI interactive gaming. These investments have further enriched its AI application ecosystem, with Viggle among the AI companies previously backed by Newborn Town.

“Slap Showdown” represents an early step in bringing world models into social gaming. For Newborn Town and Viggle, the next challenge is to turn increasingly sophisticated AI capabilities into experiences that users find genuinely engaging — and compelling enough to keep coming back.

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SOURCE Newborn Town

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HKICEC Launches First-Ever Global Mobile Exchange Pavilion at Mobile Electronics Show

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Charting a New Milestone with Outstanding Achievements

HONG KONG, Oct. 26, 2026 /PRNewswire/ — The Hong Kong International Communications Electronic Chamber (HKICEC) made a landmark debut at the Global Sources Mobile Electronics Show, held from October 18-21, 2026, with the inaugural launch of the HKICEC Global Mobile Exchange Pavilion. Spanning 600 square meters, the pavilion brought together nearly 60 industry leaders from mainland China, Hong Kong, India, Japan, the UAE, the US and the UK. As the largest themed pavilion in the mobile electronics sector and a premier highlight of the exhibition, this event marks a new developmental milestone for HKICEC. The pavilion underscores the chamber’s dedication to bridging global markets and serving the communications and electronics industry, injecting vital new momentum into the synergy between Hong Kong’s technology sector and international trade.

The grand opening ceremony on October 18 marked the official launch of the first B2B pavilion in Hong Kong and Asia dedicated exclusively to mobile communications equipment. The milestone event was officiated by a distinguished lineup of devices global business, including  Dr. the Hon. Starry Lee Wai King, GBS, JP, Member of the Standing Committee of the National People’s Congress and President of the Legislative Council; Mr. Zhu Xiaodong, Director of the Kowloon Affairs Department of the Liaison Office of the Central People’s Government in the HKSAR; Dr. the Hon. Horace Cheung Kwok Kwan SBS JP, Deputy Secretary for Justice, HKSAR; Mr. Liu Maozhou, Level 1 Bureau Rank Official, the Economic and Financial Department II, Liaison Office of the Central People’s Government in the HKSAR; Mr. Ho Lap Ki, Denny, JP, District Officer (Kwun Tong), Home Affairs Department; Mr James Liu, CEO of Global Sources; and Mr. Jacky Tse, Chairman of HKICEC, alongside HKICEC Management team. Together, they witnessed the official launch of the first B2B pavilion in Hong Kong and Asia dedicated to mobile communications equipment. The ceremony drew over a hundred political and business leaders, industry representatives, international exhibitors, and major media outlets, reflecting the event’s importance and the industry’s green trading development. Following the inauguration, officials toured the pavilion for high-level discussions with global exhibitors, signaling robust institutional backing for the industry and HKICEC’s strategic expansion.

During the four-day exhibition, the pavilion experienced a continuous flow of visitors. Communications and electronics suppliers and global buyers from overseas visited specifically for business matchmaking and negotiations, unlocking numerous commercial opportunities. Notably, the pavilion also featured a retrospective exhibit of 16 classic mobile phones, tracing the industry’s evolution from early ‘brick’ devices to Mainland China’s first official Apple release, the iPhone 3GS. The historical display proved to be a standout attraction, gathering large crowds throughout the event.

Beyond the exhibition floor, the chamber partnered with Global Sources to co-host an international forum on October 19. Under the theme ” From New Devices to New Life: Building a Global Mobile Device Lifecycle Ecosystem”, the event gathered experts from ecoATM, PCS Wireless, Cenwood, Our Hong Kong Foundation, and the Global Mobile Association. They engaged in profound discussions on cutting-edge topics including the global economic landscape, inventory management, ESG development, the circular ecology of new and used devices, and AI technology.  Attended by over 200 international representatives, the forum successfully catalyzed cross-border collaboration and established a new standard for sustainability discourse in the global mobile industry.

As a capstone to the comprehensive four-day events, HKICEC convened over 500 industry leaders, VIPs, and exhibitors for a high-profile networking banquet designed to accelerate cross-border business alliances. The gathering provided a premier platform for delegates to solidify collaborative ties and exchange strategic insights initiated from the pavilion. Ahead of the exhibition’s conclusion, a special ” Pearl Of The Orient • Victoria Harbour Cruise Party” was organized to showcase Hong Kong’s unique charm as a cosmopolitan city to global guests, providing a memorable networking experience against Hong Kong’s iconic skyline to formally cap off the week’s successes.

High-resolution images: https://bit.ly/3WqHMxu

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SOURCE The Hong Kong International Communications Electronic Chamber (HKICEC)

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